Monthly Archives: April 2009

Titratable Acidity: Trouble with the better way?

I’ve mentioned that I’m getting inconsistent results with my CO2 acid testing apparatus, and I’ve been trying to figure out why. I noticed that the measured volume of CO2 increased in the first few minutes. That’s an important problem because the test works by using that figure to determine how much acid was in the wine or must. Ideally, the final volume would increase almost immediately by the volume of the sample plus the volume of liberated CO2 then remain constant. Not only does the volume rise in the first five minutes, but then it falls over the next thirty minutes.

Gathering data

I had some ideas about this, but wanted to get a clear picture of exactly how the final volume changed over time. I’ve been recording six final volume measurements at the same time intervals over the past two months. For example, on March 2, I tested my Merlot. The initial volume was 0.2 ml, and right after adding the sample I measured the final volume as 2.4 ml. At +5 minutes, +10 minutes, +15 minutes, +20 minutes, and +30 minutes I measured:

2.9 ml, 2.9 ml, 2.8 ml, 2.8 ml, and 2.7 ml

Since the initial volume is arbitrary, it’s more helpful to view the data as a difference from the initial volume or as a percentage of it. Here are the same data expressed as a percentage of the initial volume:

120.83%, 120.83%, 116.67%, 116.67%, and 112.50%

I ran this same test nine more times on different wines and musts. Here are the results expressed as a percentage.

Normalized Volume Measurments
Immediate +5 Minutes +10 Minutes +15 Minutes +20 Minutes +30 Minutes
100.00% 120.83% 120.83% 116.67% 116.67% 112.50%
100.00% 98.18% 96.36% 94.55% 92.73% 89.09%
100.00% 116.67% 116.67% 112.50% 112.50% 108.33%
100.00% 103.23% 98.92% 96.77% 93.55% 92.47%
100.00% 104.55% 97.73% 95.45% 90.91% 90.91%
100.00% 95.24% 90.48% 88.10% 85.71% 83.33%
100.00% 110.00% 106.67% 103.33% 100.00% 96.67%
100.00% 107.69% 104.62% 104.62% 104.62% 103.85%
100.00% 121.88% 125.00% 128.13% 128.13% 128.13%
100.00% 96.81% 91.49% 89.36% 88.30% 87.23%

On six occasions, the final volume rose (indicating more acid) five minutes after the initial measurement then fell over the next thirty minutes. Three times (the red text in the table), the final volume steadily fell after the initial reading. And during one test (indicated in gree), the final volume continued rising for fifteen minutes, then held steady. What’s going on? It doesn’t surprise me that the apparatus can’t hold pressure perfectly, so the gradual fall that I see in almost all the cases makes sense.

Am I just being impatient?

The rise in the first five minutes that I saw in most of the tests made me think that the chemical reaction between the acid and the baking soda was slower than I thought. That would explain six of the tests and sort-of explain that (green) one that rose for fifteen minutes and plateaued. But the three (red) tests that showed a steady decline just don’t fit.

Is it something in the water?

I drain the device after each use, and fill it with water just before a test. Most of the time I get water from my kitchen faucet, but sometimes I use a utility sink in the basement. Water is water, of course, but the kitchen faucet has an aerator on it and the utility sink does not. Could the aerated water from the kitchen be releasing air during the test and affecting the final volume? Might there have been some air bubbles in the tubing that I overlooked? That could explain all ten test results. Being especially quick with the test and using kitchen water (or not doing enough to dislodge all the air bubbles in the tubing) might have caused the fifteen minute rise in the green test. The six times that I saw a five minute rise might have been me going at a more normal pace, allowing some air to bubble out while I got ready for the test. Water from the utility sink would not have cause a rise at all, and that would dovetail nicely with the red tests.

Putting it to the test

I didn’t think that my water source would matter, so I didn’t make a note of it when I recorded my data. So I’m going to run more tests and collect more data. This time, I will leave the water in the apparatus between tests. This ought to insure that no air bubbles out and affects my results. If I get the same sort of results, then I can rule out the air in the water. If, on the other hand, all my tests show a gradual decline after the initial reading, like the red tests, then I think I may have solved this mystery.

Kirkland 2007 Sonoma County Chardonnay

Kirkland 2007 Sonoma County ChardonnayI had high hopes for this wine ($9 at Costco), because the Kirkland brand is usually pretty good and I liked the Kirkland Sauvignon Blanc. So how did it stack up?

Running the numbers

When I make wine at home, I measure the specific gravity, titratable acidity, and pH. I thought I’d start doing that for some of the commercial wine I buy to see how how the pros are balancing acid, alcohol, and sugar. Since some wineries publish an analysis of their wines, it’ll also give me a chance to see how my measurments compare to those of a commercial lab.

The alcohol content is 13.9%, according to the label, and here are my measurements:

SG: 0.990, pH: 3.34, TA: 4.4 g/L

Unfortunately, I couldn’t find an analysis for this wine, and my e-mail to Kirkland Signature Wine Connection went unanswered. So I’ll just have to go on what I have, and what I have is a low TA – I would have expected 6 g/L or so. Ok, but how does it taste?

Disappointing

“Not unpleasant,” said the Lady of the House. We both hoped for more. There is promise, as you begin to sip, a hint of something lively. It’s gone the moment you swallow, however, and that short finish makes it a plain, disappointing wine. Next time I’ll pass on this one and pick up the Sauv Blanc or head over to Trader Joe’s for some Panilonco 2008 Reserve Chardonnay/Voignier.

Labels: Dressing Up Your Wine

Can a good label make your wine taste better? Not in the sense that it alters the chemistry involved in your senses of taste and smell, but your enjoyment of wine is more than chemistry. A California Institute of Technology experiment showed that expectations and psychology have a big impact on how much people enjoy a particular wine: test subjects liked wine better when told it was more expensive. This means we home winemakers need to present and serve our wines with pride if we are to get the most enjoyment out of them.

A good label on a clean bottle, without scuff marks of the previous label on it, is part of that presentation. It should be attractive and informative. An informative label answers questions about it. You don’t have a lot of room on the label so make sure you cover the basics, like “what am I drinking?” and “is it sweet or dry?” If you’re serving to other winemakers, then measurements like specific gravity (SG), titratable acidity (TA), and pH might be important. Attractive labels make people feel good about the wine and want to try it (and if the CIT results can be applied here, make it “taste better”).

The Image: Tell a story

My labels are usually text on artwork. I try to choose artwork that reflects the wine in some way. This relationship between the label and the wine can make a nice story to tell your guests as you serve the wine. That can mean showing the base fruit of the wine on the label – one of my apple wine labels featured a woman eating an apple. It can mean color and mood coming together the way a fun pinup of a woman blushing became the artwork for my “Raspberry Blush” wine. It almost certainly means different things to different people. To me, wine and mead are feminine so most of my labels are too – though I did use a self portrait on my first wine from grapes and the Dharma Initiative logo on a wine I bottled just as a new season of Lost was starting.

The Text: Explain and get them interested

Once I have the artwork, I choose the text style and color to match. Placement is just as important. You don’t want to trample over a beautiful sunset or a pretty smile with boldfaced text. The top and bottom are usually good places, and you can often say a lot on one side or the other without ruining or upstaging the artwork. What do you say? That depends on who you’re serving to. For other winemakers, you might include the basic measurements, the yeast, and other details about how you made it. If you mainly serve mead or unusual wine to friends who are unfamiliar with it, then a short explanation can go a long way. You might say something like, “apple juice and sugar can ferment into a terrific white wine!” or “men have been fermenting honey and water to make mead for centuries.” Remember, you haven’t got a lot of room so keep it short, tell them what they’re drinking, and pique their interest.

If you already make labels for your wine, I’d love to hear about them. If not, give it a try. You might find it’s just the finishing touch to set your wines apart.